Akhtar Shirani (Urdu: اختر شِيرانى‎), (also spelled 'Sheerani', 'Sherani', 'Shirani', 'Shairani'), (4 May 1905 – 9 September 1948) is considered to be one of the leading romantic poets of Urdu language.

Works
As to his skill, Akhtar was quite innovative and introduced new modes in Urdu poetry. At such a green age, he wrote mature and inspiring poetry. He was called شاعرِ رومان (the poet of romance). His best-known collections of poetry include Akhtaristan, Nigarshat-e-Akhtar, Lala-e-toor, Tayyur-e-Aawara, Naghma-e-Haram, Subh-e bahaar, and Shahnaz. He had been editor for the literary magazines Intikhab, Bahaaristan, Khyaalistan, and Romaan from 1923 to 1939. He also wrote columns for daily newspapers Hamdard and Zamindar of Maulana Muhammad Ali Johar and Maulana Zafar Ali Khan respectively. He introduced many new writers in his magazines, including Ahmad Nadeem Qasmi and Qudratullah Shahab (both are well-known Urdu writers). "Chandra wati", the first afsana (short story) of Qudratullah Shahab, was published in Romaan (Magazine of Akhtar Sheerani).

In total, he left nine collections of his verses. In prose, apart from his fictions and translations, his essays on literary, critical and historical subjects are in abundance. His son Professor Mehmood Sheerani, who has been teaching in Government College University, has written a book on his life named as Kahan Se Laaoon Unhain(Where can I Find Him?). Dr Younus Hasni also wrote a book on the life of Akhtar Sheerani.

Style and influence on Urdu Poetry
Youth dominates Akhtar's poetry like that of Shelley, Keats, and Byron. Lyricism, subtlety and novelty infuse a new spirit onto his poetry. He exhales verse as a flower exhales fragrance. His verses touching various colourful subjects flow with such tremendous ease and felicity as the reader is moved to ecstasy. Most of the critics have concentrated only on one aspect of his Love Poetry. However, his work was not confined to just the physical beauty of woman. Woman to him is beautiful in all her forms and shapes; the beloved, the wife, the mother and the sister. Wordsworth, the father of romantic poetry finds the immanence of divine spirit in the objects of nature. Akhtar's depiction of nature is second to none but unlike Wordsworth, he finds the objects of nature imbued with the beauty of woman. He uses woman as a symbol that stands for beauty and love permeating the whole universe.

Variegated aspects and artistic skills of Akhtar Shairani's poetry lend him a distinguished place in modern Urdu poetry. His influence on Urdu literature, and poetry in particular, earned him a repute of trendsetter. Several distinguished Urdu poets and literary figures have imbibed directly from him.

His famous poems include:

"Ae ishq kahin le chal"
"O des se aane waale bataa"
"Ae ishq hamein barbad na kar" A super-hit poem sung by Nayyara Noor
"Main aarzoo-e-jaan likhoon ya jaan-e-aarzu"
"Kuch to tanhai ki raaton ka sahara hota"
"Barsat"
"Tumhain sitaron ne be ikhtiar dekha hai"
"Woh kehtain hain ranjish ki baatain bhula dein" A hit ghazal sung by Malika Pukhraj