“The real problem, said Mary, was not women, but how men wanted women to be.”
―
Charlotte Gordon,
Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“But the paradox of their success is that most modern readers are unaware of the overwhelming obstacles both women had to overcome. Without knowing the history of the era, the difficulties Wollstonecraft and Shelley faced are largely invisible, their bravery incomprehensible. Both women were what Wollstonecraft termed “outlaws.” Not only did they write world-changing books, they broke from the strictures that governed women’s conduct, not once but time and again, profoundly challenging the moral code of the day. Their refusal to bow down, to subside and surrender, to be quiet and subservient, to apologize and hide, makes their lives as memorable as the words they left behind. They asserted their right to determine their own destinies, starting a revolution that has yet to end.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“If a female fainted easily, could not abide spiders, feared thunderstorms, ghosts, and highwaymen, ate only tiny portions, collapsed after a brief walk, and wept when she had to add a column of numbers, she was considered the feminine ideal.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Both mother and daughter attempted to free themselves from the stranglehold of polite society, and both struggled to balance their need for love and companionship with their need for independence. They braved the criticism of their peers to write works that took on the most volatile issues of the day. Brave, passionate, and visionary, they broke almost every rule there was to break. Both had children out of wedlock. Both fought against the injustices women faced and both wrote books that revolutionized history.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Who else sat on a wet rock, naked, reading ancient Greek?” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“When husbands, fathers, and brothers are granted absolute power, their morality vanishes.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Never had the town been rocked by so many outlandish escapades. One of Byron’s servants stabbed a man.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Both mother and daughter attempted to free themselves from the stranglehold of polite society, and both struggled to balance their need for love and companionship with their need for independence.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Godwin was also of little practical assistance. He had calculated his living expenses down to the last penny, sometimes having to borrow a few pounds to make ends meet. He had never intended to assume the financial responsibility of a family, declaring that such obligations blighted the freedom of the male intellectual.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“The first choice Anne had to make before she picked up her pen was what meter to use, since this was a crucial part of declaring her intentions as a Puritan and as a poet. Once she had decided, she could not waver. This was partly for practical reasons. Each page was precious to Anne. Although her wealthy father did have a larger supply of paper and vellum than most people and she herself had a small bound book to write in, once she had used up this writing material, it was expensive to get more, and it could take months to arrive from England. Mistakes were a costly luxury, therefore, and drafts were an impossibility. Anne would have to think out the lines first and memorize them before hazarding them onto paper.” ― Charlotte Gordon, Mistress Bradstreet: The Untold Life of America's First Poet
“Read Sonya Renee Taylor’s The Body Is Not an Apology, Da’Shaun Harrison’s Belly of the Beast, Charlotte Cooper’s Fat Activism, Roxane Gay’s Hunger, Caleb Luna’s Revenge Body, Kiese Laymon’s Heavy, Nicole Byer’s #VeryFat #VeryBrave, Esther Rothblum and Sondra Solovay’s The Fat Studies Reader, Rachel Wiley’s Fat Girl Finishing School, and more.” ― Aubrey Gordon, "You Just Need to Lose Weight": And 19 Other Myths About Fat People
“This should not be the only book you read by a fat person about fatness and anti-fatness. Read Sonya Renee Taylor’s The Body Is Not an Apology, Da’Shaun Harrison’s Belly of the Beast, Charlotte Cooper’s Fat Activism, Roxane Gay’s Hunger, Caleb Luna’s Revenge Body, Kiese Laymon’s Heavy, Nicole Byer’s #VeryFat #VeryBrave, Esther Rothblum and Sondra Solovay’s The Fat Studies Reader, Rachel Wiley’s Fat Girl Finishing School, and more. Whether you’re new to thinking critically about anti-fatness or a longstanding fat activist, be sure to locate this book, accurately, as just one of many fat perspectives available to you. Writers who aren’t fat have made substantial contributions here too. Sabrina Strings’s Fearing the Black Body: The Racial Origins of Fat Phobia is an indispensable history linking anti-Black racism to anti-fatness. J. Eric Oliver’s Fat Politics analyzes the emergence in the 1990s and 2000s of the United States’ so-called obesity epidemic. Each of these works offer vital analysis of the mechanics and history of anti-fatness. And each will deepen your thinking about anti-fatness and your clarity in countering anti-fatness.” ― Aubrey Gordon, "You Just Need to Lose Weight": And 19 Other Myths About Fat People
“You know I was not born to tread in the beaten track—the peculiar bent of my nature pushes me on.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Still, the limitations of what we can know, no matter how obsessed we are, have, inevitably, become clear to me. She walks ahead of me and I don't get to see her face. Was her hair brown or pale? Was she slim? Did she get heavier as she bore her children? Or was she petite, like a bird? What did her voice sound like? Did she argue with her husband? Did she like to cook? Was she as ambitious as I think she was? Would she have approved of my writing about her? But the closer I have drawn, the more she has receded, her figure diminishing, no matter how I strain to catch up. Those shores of early America are irretrievable, as is Anne. I have tried to retrieve her here, but some of the most important things are bound to be left unknown.” ― Charlotte Gordon, Mistress Bradstreet: The Untold Life of America's First Poet
“poems. (illustration ill.32) On May 12, the whole party came out onto the terrace to watch Shelley’s schooner-rigged ship skim into the bay, heeling sharply and trailed by a dark foamy wake. “She is a most beautiful boat,” Shelley exclaimed with delight. However, Mary” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“But the paradox of their success is that most modern readers are unaware of the overwhelming obstacles both women had to overcome. Without knowing the history of the era, the difficulties Wollstonecraft and Shelley faced are largely invisible, their bravery incomprehensible. Both women were what Wollstonecraft termed “outlaws.” Not only did they write world-changing books, they broke from the strictures that governed women’s conduct, not once but time and again, profoundly challenging the moral code of the day. Their refusal to bow down, to subside and surrender, to be quiet and subservient, to apologize and hide, makes their lives as memorable as the words they left behind. They asserted their right to determine their own destinies, starting a revolution that has yet to end.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“If a female fainted easily, could not abide spiders, feared thunderstorms, ghosts, and highwaymen, ate only tiny portions, collapsed after a brief walk, and wept when she had to add a column of numbers, she was considered the feminine ideal.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Both mother and daughter attempted to free themselves from the stranglehold of polite society, and both struggled to balance their need for love and companionship with their need for independence. They braved the criticism of their peers to write works that took on the most volatile issues of the day. Brave, passionate, and visionary, they broke almost every rule there was to break. Both had children out of wedlock. Both fought against the injustices women faced and both wrote books that revolutionized history.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Who else sat on a wet rock, naked, reading ancient Greek?” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“When husbands, fathers, and brothers are granted absolute power, their morality vanishes.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Never had the town been rocked by so many outlandish escapades. One of Byron’s servants stabbed a man.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Both mother and daughter attempted to free themselves from the stranglehold of polite society, and both struggled to balance their need for love and companionship with their need for independence.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Godwin was also of little practical assistance. He had calculated his living expenses down to the last penny, sometimes having to borrow a few pounds to make ends meet. He had never intended to assume the financial responsibility of a family, declaring that such obligations blighted the freedom of the male intellectual.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“The first choice Anne had to make before she picked up her pen was what meter to use, since this was a crucial part of declaring her intentions as a Puritan and as a poet. Once she had decided, she could not waver. This was partly for practical reasons. Each page was precious to Anne. Although her wealthy father did have a larger supply of paper and vellum than most people and she herself had a small bound book to write in, once she had used up this writing material, it was expensive to get more, and it could take months to arrive from England. Mistakes were a costly luxury, therefore, and drafts were an impossibility. Anne would have to think out the lines first and memorize them before hazarding them onto paper.” ― Charlotte Gordon, Mistress Bradstreet: The Untold Life of America's First Poet
“Read Sonya Renee Taylor’s The Body Is Not an Apology, Da’Shaun Harrison’s Belly of the Beast, Charlotte Cooper’s Fat Activism, Roxane Gay’s Hunger, Caleb Luna’s Revenge Body, Kiese Laymon’s Heavy, Nicole Byer’s #VeryFat #VeryBrave, Esther Rothblum and Sondra Solovay’s The Fat Studies Reader, Rachel Wiley’s Fat Girl Finishing School, and more.” ― Aubrey Gordon, "You Just Need to Lose Weight": And 19 Other Myths About Fat People
“This should not be the only book you read by a fat person about fatness and anti-fatness. Read Sonya Renee Taylor’s The Body Is Not an Apology, Da’Shaun Harrison’s Belly of the Beast, Charlotte Cooper’s Fat Activism, Roxane Gay’s Hunger, Caleb Luna’s Revenge Body, Kiese Laymon’s Heavy, Nicole Byer’s #VeryFat #VeryBrave, Esther Rothblum and Sondra Solovay’s The Fat Studies Reader, Rachel Wiley’s Fat Girl Finishing School, and more. Whether you’re new to thinking critically about anti-fatness or a longstanding fat activist, be sure to locate this book, accurately, as just one of many fat perspectives available to you. Writers who aren’t fat have made substantial contributions here too. Sabrina Strings’s Fearing the Black Body: The Racial Origins of Fat Phobia is an indispensable history linking anti-Black racism to anti-fatness. J. Eric Oliver’s Fat Politics analyzes the emergence in the 1990s and 2000s of the United States’ so-called obesity epidemic. Each of these works offer vital analysis of the mechanics and history of anti-fatness. And each will deepen your thinking about anti-fatness and your clarity in countering anti-fatness.” ― Aubrey Gordon, "You Just Need to Lose Weight": And 19 Other Myths About Fat People
“You know I was not born to tread in the beaten track—the peculiar bent of my nature pushes me on.” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
“Still, the limitations of what we can know, no matter how obsessed we are, have, inevitably, become clear to me. She walks ahead of me and I don't get to see her face. Was her hair brown or pale? Was she slim? Did she get heavier as she bore her children? Or was she petite, like a bird? What did her voice sound like? Did she argue with her husband? Did she like to cook? Was she as ambitious as I think she was? Would she have approved of my writing about her? But the closer I have drawn, the more she has receded, her figure diminishing, no matter how I strain to catch up. Those shores of early America are irretrievable, as is Anne. I have tried to retrieve her here, but some of the most important things are bound to be left unknown.” ― Charlotte Gordon, Mistress Bradstreet: The Untold Life of America's First Poet
“poems. (illustration ill.32) On May 12, the whole party came out onto the terrace to watch Shelley’s schooner-rigged ship skim into the bay, heeling sharply and trailed by a dark foamy wake. “She is a most beautiful boat,” Shelley exclaimed with delight. However, Mary” ― Charlotte Gordon, Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Her Daughter Mary Shelley
