“Kids didn’t just disappear unless someone made them disappear.‘Relax, mate,’ the head of security said. ‘We’ve never lost one yet.’ Lots of kids wandered off at the Easter Show, he told them. They were always found, usually somewhere near the food.Doug had tried to relax, to stay calm, but he could feel the panic building inside him.The place was too big.There were too many people.Lockie could be anywhere. The police were called. It took hours for everyone to leave the showgrounds because every family was stopped. Every parent was questioned and every child identified. It was way past midnight when everyone had finally gone home, and still they had not found Lockie.The head of security changed his tone. The police held whispered conversations in groups. They began to look at him with sympathy in their eyes.Doug felt his heart slow down. There was a ringing in his ears. He was underwater and he couldn’t swim.Lockie was gone.They had lost one.Sammy had gone from impatience to hunger to exhaustion. She didn’t understand what was happening.Sarah sat next to the pram twisting her hands. She did not cry. She didn’t cry for days, but every time Doug went near her he could hear her muttering the word ‘please’. ‘Please, please, please, please.’ It drove Doug mad and he had to move away because he wanted to hit her, to snap her out of her trance. He had never lifted a hand to his wife or his children, but now he had to close his fist and dig his nails into his palm to keep himself from lashing outSarah didn’t believe in hitting children; she believed in time out and consequences. It was different to the way Doug had been raised but he had come around to the idea. The thought of anyone—especially himself—hurting Sarah and the kids was almost too much to bear.Doug sometimes wondered, after, if whoever had taken his son had hit him. When he did think about someone hurting his boy he could feel his hands curl into fists. He would embrace the rush of heat that came with the anger because at least it was a different feeling to the sorrow and despair. Anger felt constructive. He wanted to kill everyone, even himself. But as fast as the anger came it would recede and he would be back at the place he hated to be. Mired in his own helplessness. There was fuck-all he could do.”
―
Nicole Trope,
The Boy Under the Table
“Now she took the pills and, just before she closed her eyes, she summoned Lockie and his smile, and then the dreams would come.In her dream her golden boy tries again and again and again to stand up on the boogie board until he manages to remain upright for at least a minute. In her dream Sarah can feel the tears on her cheeks. Her golden boy was lost and she was too. She tried to dream that they found each other again but she couldn’t control her dreams any more than she could control her nightmares.” ― Nicole Trope, The Boy Under the Table
“Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show. This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah. She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed. How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first.He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes.‘Oh god, Doug, please just close them. I’m so tired.’Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room.‘Ready to say hello to Mum, mate?’ Doug asked.‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy.Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark.‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’Sarah sat up, her eyes wide.‘Hi, Mum,’ said Lockie again.‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day. Softly, as though she hadn’t been trying to die slowly. Softly she said, ‘Hello, my boy.’Doug could see her chest heaving.‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.” ― Nicole Trope, The Boy Under the Table
“Just because the package was beautifully wrapped didn’t mean it wasn’t still full of shit.” ― Nicole Trope, The Boy Under the Table
“The boy was tied up under the table, scrabbling his way through an empty packet of biscuits, licking his fingers to gather the crumbs.The kitchen was freezing; Tina could see the warmth of her breath in the air. It got like that sometimes in winter. The cold got trapped inside.Her first glance had made the boy a dog, just a mongrel tied up to the table leg, but a second glance told the truth. People saw what they wanted to see. Tina hadn’t wanted to see the boy. She thought she had perfected the art of tunnel vision. There were a lot of things she didn’t want to see.But she saw everything in the kitchen, everything.She felt it too. The despair in the air had a familiar feel. Hopeless defeat. It came off the boy in waves and she had to hold on tight to prevent it knocking her over.” ― Nicole Trope, The Boy Under the Table
“Tina began to breathe in a little of the boy’s despair. It crept up her spine and tingled at her neck. Right now she wasn’t going anywhere either. Her first instinct had been to run. When she had recognised what was tied up under the table she wanted to run screaming from the house, but she knew enough to wait and keep her mouth shut. She was in real trouble. Panic was stupid.” ― Nicole Trope, The Boy Under the Table
“His body had become a statue as soon as the man’s hand made contact. He was perfectly still on his bed of newspapers. When faced with attack, most animals instinctively know to become motionless. If you didn’t move and you didn’t breathe it was possible that you would not be seen. The boy’s skinny ribcage filled with stale air while he waited for the hand to leave his head.Tina held her breath as well. If the man did more than pat the boy she would have to do something. She would have to do anything. There are some things that cannot be tolerated. If he did more than pat the boy Tina would not survive. She was completely sure of that” ― Nicole Trope, The Boy Under the Table
“She didn’t see what she didn’t want to see. The women on the street were pretty girls waiting for a date and she was a princess waiting for her prince. The world could be a lot easier to deal with if you lived mostly inside your own head. Probably all the same ugly, sick, twisted stuff went on behind the pretty fences of her childhood anyway.She had built herself a fairly impressive wall in the last two years, but then she had been building that long before she got to the Cross. She could watch the world shit itself up right in front of her and not feel a thing. Sometimes she thought that any feeling at all would have been a luxury, but nothing got through. It meant that nothing could hurt her but it also meant that nothing could move her either. It was a price she was willing to pay. It was one interesting fucking trade-off.” ― Nicole Trope, The Boy Under the Table
“And then to win the prize had been incredible. She felt like she was being seen, actually being seen, for the first time in the endless years of being a mother and a wife.” ― Nicole Trope, The Boy Under the Table
“If the clean man was not the boy’s father and if he had taken him, Tina knew that someone must be looking for him. She wanted someone to be looking for him.” ― Nicole Trope, The Boy Under the Table
“Sarah wondered what they—the ‘they’ who had taken her child; the ‘they’ or the ‘him’ or the ‘her’—were feeding him.Sometimes a fear dug at her until she acknowledged it: maybe they weren’t feeding him at all.Who would do that? Who would willingly starve a child? Who would hurt her baby? Who would take her baby? Who was this person and why were they allowed to exist?And what would I do to that person if I got the chance?There were days when she lay on the bed and concocted scenarios in her head. She would see herself finding Lockie. She was never really sure of the place. It would be a dark room in a dark house but the location wasn’t important. She would see herself rescuing her child, folding him in her arms and saying his name. Then she would see the person who had taken him.There was never a face, just a body with a blank head, but Sarah would see herself grow until she towered over the person and then she would hit and hit and hit until there was nothing left and all the time she would be screaming, ‘How dare you take my child? How dare you take him?’She had to find him. The desperate need to find him swirled around her body with everything she did. It ate into her soul and sometimes she had to hold on to the kitchen counter to stop herself running out into the road and screaming his name. She wanted to be looking for him all the time. She wanted to leave Sammy and Doug and just keep going until she got to the city and then she wanted to knock on every door across the whole of Sydney until she found her son. But maybe he wasn’t even in Sydney anymore. Maybe he wasn’t even in Australia. Where are you, Lockie? Where are you, where are you, where are you?” ― Nicole Trope, The Boy Under the Table
“Tina woke to a thin beam of afternoon sun. She lay still for a moment, revisiting, reliving, trying to get comfortable with the events of the night before. The sound of rustling paper got her up and the smell assaulted her again. Lockie was eating a burger, trying for slow, but failing.He had his back to her as he perched in a corner, secretively stuffing his mouth.‘Hey, Lockie,’ said Tina.Lockie turned, wild-eyed and fearful. He stopped mid-chew and pushed his tongue through his teeth to spit the gooey mess out.‘Gross, kid, just swallow for fuck’s sake.’‘Sorry,’ he mumbled. ‘Sorry for touching, sorry for eating, sorry for being a bad boy.’‘You’re not being a bad boy,’ Tina said. She hated how pathetic the kid sounded. ‘The food is for you, do you understand? It’s all for you.’Lockie stared. He was still and silent, as if waiting for what would happen next. Tina hated the idea that he was afraid of her, that he would have to be afraid of everyone he ever met from now on.‘Say it, kid. Say, “It’s all for me.” Go on, say it.’Lockie stared.‘Say it, Lockie.’‘It’s all . . .’ He faltered.“It’s all for me.” 'Say it, I mean it.’‘It’s all for me.’‘Say it again, Lockie.’‘It’s all for me. All for me, all for me.’‘Okay, kid, you can shut up now. Get back to your breakfast. I might have a cigarette.’‘The food is all for me,’ said Lockie. His voice was determined. He was telling her, but mostly he was telling himself.‘That’s right, kid, it’s all for you.’‘But you can share it with me,’ he said, and he gave Tina a small smile.Someone had taught Lockie all the right rules. Someone who didn’t even know if he was alive right now.‘I bet you’ve got the best mum and dad somewhere.' Lockie nodded and chewed. ‘I bet I do.’ He didn’t talk anymore after that. The memory of his parents had obviously been put somewhere far away so thoughts of them wouldn’t hurt. He wasn’t ready to take them out again.” ― Nicole Trope, The Boy Under the Table
“na kept her head down and pulled Lockie out into the street. She hoped he would manage to avoid standing on anything. His bare feet were already filthy but the streets of the Cross held the worst bits of human detritus. Tina didn’t want to have to deal with a piece of glass in Lockie’s foot, or worse. He was walking on tiptoe and more than one adult stopped to look at them. Tina moved quickly, getting Lockie out of sight before the questions had time to form. People tended to ask a lot more questions in the daytime. They saw things more clearly. Tina preferred the dark, where it was easy to hide.She had no idea what she was going to do with the kid after the new clothes and a shower. Maybe if he was warm and fed he would agree to walk into the police station and tell his story. Maybe he just needed a little time. He looked like a thinker. It was possible that she was really fucking up by keeping him. She had no idea what his body had been through. He could drop dead right now or have some kind of psycho meltdown.He looked at the ground as he walked. He held her hand and she guided him around the obstacles. He would not look up.He was locked up inside himself. His body was doing what it needed to do and maybe somewhere in his mind he was trying to find a key. If she got him to go to the police they would bring in a counsellor. Someone with a box of dolls and a soft voice. She had seen a movie about it. Lockie would be able to point to the doll and tell everyone exactly how his childhood had been taken. But would that help? Tina hoped he would be ready to talk to the police soon. If he wasn’t she was really screwed.” ― Nicole Trope, The Boy Under the Table
“That’s what Lockie was—a little boy.It could do your head in if you thought too much about the cruelty that one person could inflict on another. It was best not to think about it, but here in front of Tina stood an example of the worst cruelty in the world.There was a large bump on one of his ribs. Tina knew what a bone that had healed itself looked like; Mark and the boys were always getting themselves into trouble.It was too much to think about. Too much to try and imagine the pain Lockie must have been in. Too much to imagine him crying for his mother and father. He was so small, so defenceless.” ― Nicole Trope, The Boy Under the Table
“He said I was a dirty boy,’ whispered Lockie. ‘I was a dirty boy and that was why he did stuff to me, because I was dirty. It was my fault.’‘Bullshit!’ Tina shouted and half the locker room turned around. Tina grabbed Lockie’s hand and they didn’t stop moving until they were out on the street. The cold was a shock after the warmth of the gym but she kept him walking fast until they got back home.‘It wasn’t your fault, Lockie. It’s never the kid’s fault. The uniform was an evil piece of shit and nothing he said to you was true.’‘It was my fault—it was,’ whined Lockie.‘Why? Why was it your fault?’‘I was supposed to stand by the stroller. I was supposed to hold on and not move while Mum got the prize. Dad had to carry the cake. I was supposed to stand by the stroller and not move. It was my fault.’Lockie’s tears burst like a dam. His small shoulders heaved and his sleeve became a tissue.Tina leaned down and grabbed him by the shoulders. ‘Look at me, Lockie.’He did as he was told.‘This wasn’t your fault. Kids do stuff like that all the time. I have no idea what you’re talking about but I can tell you that my little brother wandered off every chance he got. It wasn’t your fault, Lockie; you were just being a kid.” ― Nicole Trope, The Boy Under the Table
“The uniform said they didn’t want me anymore,’ interrupted Lockie. Tina could hear some anger underneath his faltering words. ‘He said they weren’t even looking for me.’ The words were said quietly and there was a question in them. Kids thought their parents were superheroes. Surely if they had been looking for him, they would have found him? Tina knew better. Parents were just kids with more responsibility. They couldn’t control the world any more than an eight-year-old kid could.” ― Nicole Trope, The Boy Under the Table
“Right now the nightmares were in her waking hours so she needed to stay asleep. She was broken. Shattered. Devastated. Crushed. There was nothing left of the woman she had been. She could see it in her eyes. When she was awake she had to acknowledge her brokenness. She had to admit to herself that she might never be fixed. It was too much to think about. Her boy had to come back and, until he did, she needed to stay in her dreams.” ― Nicole Trope, The Boy Under the Table
“Logically she understood that everyone had something they were hiding, some hurt they kept deep inside, some reason why they were not really normal either, but she didn’t understand how they functioned. She didn’t understand how they got out of bed every morning or breathed in and out without the hurt weighing down their lungs.” ― Nicole Trope, The Boy Under the Table
“There were no dreams that night. Tina fell asleep to the feeling of Lockie’s ribs moving up and down. It felt strange to be touched by another person. She had not been touched by anyone for two years. Well, she had been touched, but those were the touches that burned your skin and made it crawl.” ― Nicole Trope, The Boy Under the Table
“Now she took the pills and, just before she closed her eyes, she summoned Lockie and his smile, and then the dreams would come.In her dream her golden boy tries again and again and again to stand up on the boogie board until he manages to remain upright for at least a minute. In her dream Sarah can feel the tears on her cheeks. Her golden boy was lost and she was too. She tried to dream that they found each other again but she couldn’t control her dreams any more than she could control her nightmares.” ― Nicole Trope, The Boy Under the Table
“Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show. This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah. She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed. How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first.He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes.‘Oh god, Doug, please just close them. I’m so tired.’Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room.‘Ready to say hello to Mum, mate?’ Doug asked.‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy.Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark.‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’Sarah sat up, her eyes wide.‘Hi, Mum,’ said Lockie again.‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day. Softly, as though she hadn’t been trying to die slowly. Softly she said, ‘Hello, my boy.’Doug could see her chest heaving.‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.” ― Nicole Trope, The Boy Under the Table
“Just because the package was beautifully wrapped didn’t mean it wasn’t still full of shit.” ― Nicole Trope, The Boy Under the Table
“The boy was tied up under the table, scrabbling his way through an empty packet of biscuits, licking his fingers to gather the crumbs.The kitchen was freezing; Tina could see the warmth of her breath in the air. It got like that sometimes in winter. The cold got trapped inside.Her first glance had made the boy a dog, just a mongrel tied up to the table leg, but a second glance told the truth. People saw what they wanted to see. Tina hadn’t wanted to see the boy. She thought she had perfected the art of tunnel vision. There were a lot of things she didn’t want to see.But she saw everything in the kitchen, everything.She felt it too. The despair in the air had a familiar feel. Hopeless defeat. It came off the boy in waves and she had to hold on tight to prevent it knocking her over.” ― Nicole Trope, The Boy Under the Table
“Tina began to breathe in a little of the boy’s despair. It crept up her spine and tingled at her neck. Right now she wasn’t going anywhere either. Her first instinct had been to run. When she had recognised what was tied up under the table she wanted to run screaming from the house, but she knew enough to wait and keep her mouth shut. She was in real trouble. Panic was stupid.” ― Nicole Trope, The Boy Under the Table
“His body had become a statue as soon as the man’s hand made contact. He was perfectly still on his bed of newspapers. When faced with attack, most animals instinctively know to become motionless. If you didn’t move and you didn’t breathe it was possible that you would not be seen. The boy’s skinny ribcage filled with stale air while he waited for the hand to leave his head.Tina held her breath as well. If the man did more than pat the boy she would have to do something. She would have to do anything. There are some things that cannot be tolerated. If he did more than pat the boy Tina would not survive. She was completely sure of that” ― Nicole Trope, The Boy Under the Table
“She didn’t see what she didn’t want to see. The women on the street were pretty girls waiting for a date and she was a princess waiting for her prince. The world could be a lot easier to deal with if you lived mostly inside your own head. Probably all the same ugly, sick, twisted stuff went on behind the pretty fences of her childhood anyway.She had built herself a fairly impressive wall in the last two years, but then she had been building that long before she got to the Cross. She could watch the world shit itself up right in front of her and not feel a thing. Sometimes she thought that any feeling at all would have been a luxury, but nothing got through. It meant that nothing could hurt her but it also meant that nothing could move her either. It was a price she was willing to pay. It was one interesting fucking trade-off.” ― Nicole Trope, The Boy Under the Table
“And then to win the prize had been incredible. She felt like she was being seen, actually being seen, for the first time in the endless years of being a mother and a wife.” ― Nicole Trope, The Boy Under the Table
“If the clean man was not the boy’s father and if he had taken him, Tina knew that someone must be looking for him. She wanted someone to be looking for him.” ― Nicole Trope, The Boy Under the Table
“Sarah wondered what they—the ‘they’ who had taken her child; the ‘they’ or the ‘him’ or the ‘her’—were feeding him.Sometimes a fear dug at her until she acknowledged it: maybe they weren’t feeding him at all.Who would do that? Who would willingly starve a child? Who would hurt her baby? Who would take her baby? Who was this person and why were they allowed to exist?And what would I do to that person if I got the chance?There were days when she lay on the bed and concocted scenarios in her head. She would see herself finding Lockie. She was never really sure of the place. It would be a dark room in a dark house but the location wasn’t important. She would see herself rescuing her child, folding him in her arms and saying his name. Then she would see the person who had taken him.There was never a face, just a body with a blank head, but Sarah would see herself grow until she towered over the person and then she would hit and hit and hit until there was nothing left and all the time she would be screaming, ‘How dare you take my child? How dare you take him?’She had to find him. The desperate need to find him swirled around her body with everything she did. It ate into her soul and sometimes she had to hold on to the kitchen counter to stop herself running out into the road and screaming his name. She wanted to be looking for him all the time. She wanted to leave Sammy and Doug and just keep going until she got to the city and then she wanted to knock on every door across the whole of Sydney until she found her son. But maybe he wasn’t even in Sydney anymore. Maybe he wasn’t even in Australia. Where are you, Lockie? Where are you, where are you, where are you?” ― Nicole Trope, The Boy Under the Table
“Tina woke to a thin beam of afternoon sun. She lay still for a moment, revisiting, reliving, trying to get comfortable with the events of the night before. The sound of rustling paper got her up and the smell assaulted her again. Lockie was eating a burger, trying for slow, but failing.He had his back to her as he perched in a corner, secretively stuffing his mouth.‘Hey, Lockie,’ said Tina.Lockie turned, wild-eyed and fearful. He stopped mid-chew and pushed his tongue through his teeth to spit the gooey mess out.‘Gross, kid, just swallow for fuck’s sake.’‘Sorry,’ he mumbled. ‘Sorry for touching, sorry for eating, sorry for being a bad boy.’‘You’re not being a bad boy,’ Tina said. She hated how pathetic the kid sounded. ‘The food is for you, do you understand? It’s all for you.’Lockie stared. He was still and silent, as if waiting for what would happen next. Tina hated the idea that he was afraid of her, that he would have to be afraid of everyone he ever met from now on.‘Say it, kid. Say, “It’s all for me.” Go on, say it.’Lockie stared.‘Say it, Lockie.’‘It’s all . . .’ He faltered.“It’s all for me.” 'Say it, I mean it.’‘It’s all for me.’‘Say it again, Lockie.’‘It’s all for me. All for me, all for me.’‘Okay, kid, you can shut up now. Get back to your breakfast. I might have a cigarette.’‘The food is all for me,’ said Lockie. His voice was determined. He was telling her, but mostly he was telling himself.‘That’s right, kid, it’s all for you.’‘But you can share it with me,’ he said, and he gave Tina a small smile.Someone had taught Lockie all the right rules. Someone who didn’t even know if he was alive right now.‘I bet you’ve got the best mum and dad somewhere.' Lockie nodded and chewed. ‘I bet I do.’ He didn’t talk anymore after that. The memory of his parents had obviously been put somewhere far away so thoughts of them wouldn’t hurt. He wasn’t ready to take them out again.” ― Nicole Trope, The Boy Under the Table
“na kept her head down and pulled Lockie out into the street. She hoped he would manage to avoid standing on anything. His bare feet were already filthy but the streets of the Cross held the worst bits of human detritus. Tina didn’t want to have to deal with a piece of glass in Lockie’s foot, or worse. He was walking on tiptoe and more than one adult stopped to look at them. Tina moved quickly, getting Lockie out of sight before the questions had time to form. People tended to ask a lot more questions in the daytime. They saw things more clearly. Tina preferred the dark, where it was easy to hide.She had no idea what she was going to do with the kid after the new clothes and a shower. Maybe if he was warm and fed he would agree to walk into the police station and tell his story. Maybe he just needed a little time. He looked like a thinker. It was possible that she was really fucking up by keeping him. She had no idea what his body had been through. He could drop dead right now or have some kind of psycho meltdown.He looked at the ground as he walked. He held her hand and she guided him around the obstacles. He would not look up.He was locked up inside himself. His body was doing what it needed to do and maybe somewhere in his mind he was trying to find a key. If she got him to go to the police they would bring in a counsellor. Someone with a box of dolls and a soft voice. She had seen a movie about it. Lockie would be able to point to the doll and tell everyone exactly how his childhood had been taken. But would that help? Tina hoped he would be ready to talk to the police soon. If he wasn’t she was really screwed.” ― Nicole Trope, The Boy Under the Table
“That’s what Lockie was—a little boy.It could do your head in if you thought too much about the cruelty that one person could inflict on another. It was best not to think about it, but here in front of Tina stood an example of the worst cruelty in the world.There was a large bump on one of his ribs. Tina knew what a bone that had healed itself looked like; Mark and the boys were always getting themselves into trouble.It was too much to think about. Too much to try and imagine the pain Lockie must have been in. Too much to imagine him crying for his mother and father. He was so small, so defenceless.” ― Nicole Trope, The Boy Under the Table
“He said I was a dirty boy,’ whispered Lockie. ‘I was a dirty boy and that was why he did stuff to me, because I was dirty. It was my fault.’‘Bullshit!’ Tina shouted and half the locker room turned around. Tina grabbed Lockie’s hand and they didn’t stop moving until they were out on the street. The cold was a shock after the warmth of the gym but she kept him walking fast until they got back home.‘It wasn’t your fault, Lockie. It’s never the kid’s fault. The uniform was an evil piece of shit and nothing he said to you was true.’‘It was my fault—it was,’ whined Lockie.‘Why? Why was it your fault?’‘I was supposed to stand by the stroller. I was supposed to hold on and not move while Mum got the prize. Dad had to carry the cake. I was supposed to stand by the stroller and not move. It was my fault.’Lockie’s tears burst like a dam. His small shoulders heaved and his sleeve became a tissue.Tina leaned down and grabbed him by the shoulders. ‘Look at me, Lockie.’He did as he was told.‘This wasn’t your fault. Kids do stuff like that all the time. I have no idea what you’re talking about but I can tell you that my little brother wandered off every chance he got. It wasn’t your fault, Lockie; you were just being a kid.” ― Nicole Trope, The Boy Under the Table
“The uniform said they didn’t want me anymore,’ interrupted Lockie. Tina could hear some anger underneath his faltering words. ‘He said they weren’t even looking for me.’ The words were said quietly and there was a question in them. Kids thought their parents were superheroes. Surely if they had been looking for him, they would have found him? Tina knew better. Parents were just kids with more responsibility. They couldn’t control the world any more than an eight-year-old kid could.” ― Nicole Trope, The Boy Under the Table
“Right now the nightmares were in her waking hours so she needed to stay asleep. She was broken. Shattered. Devastated. Crushed. There was nothing left of the woman she had been. She could see it in her eyes. When she was awake she had to acknowledge her brokenness. She had to admit to herself that she might never be fixed. It was too much to think about. Her boy had to come back and, until he did, she needed to stay in her dreams.” ― Nicole Trope, The Boy Under the Table
“Logically she understood that everyone had something they were hiding, some hurt they kept deep inside, some reason why they were not really normal either, but she didn’t understand how they functioned. She didn’t understand how they got out of bed every morning or breathed in and out without the hurt weighing down their lungs.” ― Nicole Trope, The Boy Under the Table
“There were no dreams that night. Tina fell asleep to the feeling of Lockie’s ribs moving up and down. It felt strange to be touched by another person. She had not been touched by anyone for two years. Well, she had been touched, but those were the touches that burned your skin and made it crawl.” ― Nicole Trope, The Boy Under the Table
