“A person is, among all else, a material thing, easily torn and not easily mended.”
―
Ian McEwan,
Atonement
“When it's gone, you'll know what a gift love was. You'll suffer like this. So go back and fight to keep it.” ― Ian McEwan, Enduring Love
“It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.” ― Ian McEwan, Atonement
“It was always the view of my parents...that hot weather encouraged loose morals among young people.” ― Ian McEwan
“The cost of oblivious daydreaming was always this moment of return, the realignment with what had been before and now seemed a little worse.” ― Ian McEwan, Atonement
“Was everyone else really as alive as she was?... If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyone’s thoughts striving in equal importance and everyone’s claim on life as intense, and everyone thinking they were unique, when no one was. One could drown in irrelevance.” ― Ian McEwan, Atonement
“This is how the entire course of a life can be changed: by doing nothing.” ― Ian McEwan, On Chesil Beach
“...falling in love could be achieved in a single word—a glance.” ― Ian McEwan, Atonement
“Find you, love you, marry you, and live without shame.” ― Ian McEwan, Atonement
“A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.” ― Ian McEwan, Atonement
“And though you think the world is at your feet, it can rise up and tread on you.” ― Ian McEwan, Atonement
“Wasn't writing a kind of soaring, an achievable form of flight, of fancy, of the imagination?” ― Ian McEwan, Atonement
“Girls can wear jeans and cut their hair short and wear shirts and boots because it's okay to be a boy; for girls it's like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading.” ― Ian McEwan, The Cement Garden
“I've never had a moment's doubt. I love you. I believe in you completely. You are my dearest one. My reason for life. Cee” ― Ian McEwan, Atonement
“She lay in the dark and knew everything.” ― Ian McEwan, Atonement
“Finally he spoke the three simple words that no amount of bad art or bad faith can every quite cheapen. She repeated them, with exactly the same slight emphasis on the second word, as though she were the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract.” ― Ian McEwan, Atonement
“You can tell a lot from a person's nails. When a life starts to unravel, they're among the first to go.” ― Ian McEwan, Saturday
“The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.” ― Ian McEwan, Atonement
“Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.” ― Ian McEwan, Atonement
“When it's gone, you'll know what a gift love was. You'll suffer like this. So go back and fight to keep it.” ― Ian McEwan, Enduring Love
“It wasn't only wickedness and scheming that made people unhappy, it was confusion and misunderstanding; above all, it was the failure to grasp the simple truth that other people are as real as you.” ― Ian McEwan, Atonement
“It was always the view of my parents...that hot weather encouraged loose morals among young people.” ― Ian McEwan
“The cost of oblivious daydreaming was always this moment of return, the realignment with what had been before and now seemed a little worse.” ― Ian McEwan, Atonement
“Was everyone else really as alive as she was?... If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyone’s thoughts striving in equal importance and everyone’s claim on life as intense, and everyone thinking they were unique, when no one was. One could drown in irrelevance.” ― Ian McEwan, Atonement
“This is how the entire course of a life can be changed: by doing nothing.” ― Ian McEwan, On Chesil Beach
“...falling in love could be achieved in a single word—a glance.” ― Ian McEwan, Atonement
“Find you, love you, marry you, and live without shame.” ― Ian McEwan, Atonement
“A story was a form of telepathy. By means of inking symbols onto a page, she was able to send thoughts and feelings from her mind to her reader's. It was a magical process, so commonplace that no one stopped to wonder at it.” ― Ian McEwan, Atonement
“And though you think the world is at your feet, it can rise up and tread on you.” ― Ian McEwan, Atonement
“Wasn't writing a kind of soaring, an achievable form of flight, of fancy, of the imagination?” ― Ian McEwan, Atonement
“Girls can wear jeans and cut their hair short and wear shirts and boots because it's okay to be a boy; for girls it's like promotion. But for a boy to look like a girl is degrading, according to you, because secretly you believe that being a girl is degrading.” ― Ian McEwan, The Cement Garden
“I've never had a moment's doubt. I love you. I believe in you completely. You are my dearest one. My reason for life. Cee” ― Ian McEwan, Atonement
“She lay in the dark and knew everything.” ― Ian McEwan, Atonement
“Finally he spoke the three simple words that no amount of bad art or bad faith can every quite cheapen. She repeated them, with exactly the same slight emphasis on the second word, as though she were the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract.” ― Ian McEwan, Atonement
“You can tell a lot from a person's nails. When a life starts to unravel, they're among the first to go.” ― Ian McEwan, Saturday
“The anticipation and dread he felt at seeing her was also a kind of sensual pleasure, and surrounding it, like an embrace, was a general elation--it might hurt, it was horribly inconvenient, no good might come of it, but he had found out for himself what it was to be in love, and it thrilled him.” ― Ian McEwan, Atonement
“Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.” ― Ian McEwan, Atonement
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