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Quotes of Alex Berenson

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“Rosette disappeared onto the dance floor. Wells sat in silence for a minute, watching the dancers. The worldwide cult of fast money spent stupidly. The worldwide cult of trying too hard. Moscow, Rio, Los Angeles, Tokyo, New York, London, Shanghai--the story was the same everywhere. The same overloud music, the same overpromoted brand names, the same fake tits, about as erotic as helium balloons. Everywhere an orgy of empty consumption and bad sex. Las Vegas was the cult's world headquarters, Donald Trump its patron saint. Wells had spent ten years in the barren mountains of Afghanistan and Pakistan. He never wanted to live there again. But if he had to choose between an eternity there or in the supposed luxury of this club, he'd go back without a second thought.” ― Alex Berenson, The Silent Man
“Always wrong but never in doubt.” ― Alex Berenson, The Faithful Spy
“Alicia Berenson was thirty-three years old when she killed her husband.” ― Alex Michaelides, The Silent Patient
“Afternoon. I’m Rick. What can I do you for today?” “Put the preposition in the right place.” ― Alex Berenson, Twelve Days
“They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer. He had a distinctive style, shooting semi-starved, semi-naked women in strange, unflattering angles. Since his death, the price of his photographs has increased astronomically. I find his stuff rather slick and shallow, to be honest. It has none of the visceral quality of Alicia’s best work. I don’t know enough about art to say whether Alicia Berenson will stand the test of time as a painter. Her talent will always be overshadowed by her notoriety, so it’s hard to be objective. And you might well accuse me of being biased. All I can offer is my opinion, for what it’s worth. And to me, Alicia was a kind of genius. Apart from her technical skill, her paintings have an uncanny ability to grab your attention—by the throat, almost—and hold it in a viselike grip” ― Alex Michaelides, The Silent Patient
“Diomedes kept talking as if she hadn’t spoken. He kept looking at me. “You think you can get her to talk?” Before I could reply, a voice said from behind me, “I believe he can, yes.” It was Indira. I’d almost forgotten she was there. I turned around. “And in a way,” Indira said, “Alicia has begun to talk. She’s communicating through Theo—he is her advocate. It’s already happening.” Diomedes nodded. He looked pensive for a moment. I knew what was on his mind—Alicia Berenson was a famous patient, and a powerful bargaining tool with the Trust. If we could make demonstrable progress with her, we’d have a much stronger hand in saving the Grove from closure.” ― Alex Michaelides, The Silent Patient
“Wells played God in the most elemental way: Who shall live and who shall die, who shall reach the end of his days and who shall not, who by water and who by fire, who by sword and who by beast . . . But snatching the world’s secrets from their graves gave Shafer his own taste of absolute power.” ― Alex Berenson, Twelve Days
“Without wishing to sound boastful, I felt uniquely qualified to help Alicia Berenson. I’m a forensic psychotherapist and used to working with some of the most damaged, vulnerable members of society. And something about Alicia’s story resonated with me personally—I felt a profound empathy with her right from the start. Unfortunately, I was still working at Broadmoor in those days, and so treating Alicia would have—should have—remained an idle fantasy, had not fate unexpectedly intervened.” ― Alex Michaelides, The Silent Patient
“Gabriel looked at me hopefully, expectantly, waiting for my response. I felt my eyes welling up with tears. “Yes,” I said, “yes, yes, yes…” We hugged each other and cried and laughed. He’s in bed now, asleep. I had to sneak away and write all this down—I want to remember this day for the rest of my life. Every single second of it. I feel joyous. I feel full of hope. CHAPTER FOURTEEN I KEPT THINKING ABOUT what Max Berenson had said—about Alicia’s suicide attempt, following her father’s death. There was no mention of it in her file, and I wondered why. I rang Max the next day, catching him just as he was leaving the office.” ― Alex Michaelides, The Silent Patient
“humans can build as easily as destroy,” ― Alex Berenson, The Faithful Spy
“If stupid people didn’t insist on thinking they were smart, the world would be a lot simpler.” ― Alex Berenson, The Counterfeit Agent
“In August, Dr. Jerome Adams, the United States Surgeon General, warned about the risks of cannabis for young adults—explicitly noting the cannabis-schizophrenia link.” ― Alex Berenson, Tell Your Children: The Truth About Marijuana, Mental Illness, and Violence
“Experience has shown that communities faced with epidemics or other adverse events respond best and with the least anxiety when the normal social functioning of the community is least disrupted.” ― Alex Berenson, Pandemia: How Coronavirus Hysteria Took Over Our Government, Rights, and Lives
“Marijuana causes paranoia and psychosis. That fact is now beyond dispute. Even scientists who aren’t sure if marijuana can cause permanent psychosis agree that it can cause temporary paranoia and psychotic episodes. The risk is so obvious that marijuana dispensaries advertise certain strains as less likely to cause paranoia. Paranoia and psychosis cause violence. Overwhelming evidence links psychotic disorders and violence, especially murder. Studies have confirmed the connection, across cultures, nations, races, and eras. The definitive analysis was published in PLOS Medicine in 2009. Led by Seena Fazel, a psychiatrist and epidemiologist at Oxford University, researchers examined twenty earlier studies on people with schizophrenia and other forms of psychosis. They found that people with psychosis were 5 times as likely to commit violent crimes as” ― Alex Berenson, Tell Your Children: The Truth About Marijuana, Mental Illness, and Violence
“The only other contact was Alicia’s lawyer: Max Berenson. Max was Gabriel Berenson’s brother. He was perfectly placed to observe their marriage intimately. Whether Max Berenson would confide in me was another matter. An unsolicited approach to Alicia’s family by her psychotherapist was unorthodox to say the least. I had a dim feeling Diomedes would not approve. Better not ask his permission, I decided, in case he refused. As I look back, this was my first professional transgression in dealing with Alicia—setting an unfortunate precedent for what followed. I should have stopped there. But even then it was too late to stop. In many ways my fate was already decided—like in a Greek tragedy.” ― Alex Michaelides, The Silent Patient
“Marijuana use was more likely to be linked with the death of children than almost any other factor, including domestic violence or mental illness. Once again, researchers who weren’t looking for evidence that cannabis was linked to violence found it anyway.” ― Alex Berenson, Tell Your Children: The Truth About Marijuana, Mental Illness, and Violence
“Once you name something, it stops you seeing the whole of it, or why it matters. You focus on the word, which is just the tiniest part, really, the tip of an iceberg. I’ve never been that comfortable with words—I always think in pictures, express myself with images.- Alicia Berenson’s Diary” ― Alex Michaelides, The Silent Patient
“PART TWO Unexpressed emotions will never die. They are buried alive, and will come forth later, in uglier ways. —SIGMUND FREUD CHAPTER ONE Alicia Berenson’s Diary JULY 16 I never thought I’d be longing for rain. We’re into our fourth week of the heat wave, and it feels like an endurance test. Each day seems hotter than the last. It doesn’t feel like England. More like a foreign country—Greece or somewhere. I’m writing this on Hampstead Heath. The whole park is strewn with red-faced, semi-naked bodies, like a beach or a battlefield, on blankets or benches or spread out on the grass. I’m sitting under a tree, in the shade. It’s six o’clock, and it has started to cool down. The sun is low and red in a golden sky—the park looks different in this light—darker shadows, brighter colors. The grass looks like it’s on fire, flickering flames under my feet. I took off my shoes on my way here and walked barefoot. It reminded me of when I was little and I’d play outside. It reminded me of another summer, hot like this one—the summer Mum died—playing outside with Paul, cycling on our bikes through golden fields dotted with wild daisies, exploring abandoned houses and haunted orchards. In my memory that summer lasts forever. I remember Mum and those colorful tops she’d wear, with the yellow stringy straps, so flimsy and delicate—just like her. She was so thin, like a little bird. She would put on the radio and pick me up and dance me around to pop songs on the radio. I remember how she smelled of shampoo and cigarettes and Nivea hand cream, always with an undertone of vodka. How old was she then?” ― Alex Michaelides, The Silent Patient
“Perhaps. But let us not forget that while Alicia Berenson may be a murderer, she was also an artist. It makes perfect sense—to me at least—that she should pick up her brushes and paints and express her complicated emotions on canvas. No wonder that, for once, painting came to her with such ease; if grief can be called easy. The painting was a self-portrait. She titled it in the bottom left-hand corner of the canvas, in light blue Greek lettering. One word: Alcestis.” ― Alex Michaelides, The Silent Patient
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