Yallah habibti, move your tongue like the sea

easy. My big sister teaches me to ululate, rolls

her tongue in waves. Dips thin fingers inside

my mouth to pull out mine, stretches it long

and pinches the tip. Watch, we move tongues

like this. I see the walls of our father’s house

collapse and we swim free leleleleleleleleleee

 

On the ferry to Tangier I shriek across the sea.

Practice how to sound like a real woman. Old

aunties grab my buttocks, smush their breasts

against my back and sing leleleleleleleleleleeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeee

Don’t cover your mouth habibti! Only women

on the upper deck, only sea. We move tongues

like this to tell the waves stay back, tell men

 

stay back, tell the dead stay gone, tell runaway

wives stay gone. They turn me into wisteria

woman, limbs wrapped around poles and thighs

as they guide me. Throw back your head, epiglottis

to the breeze. Salt air burns my hot membranes,

scratches at the tight knots of my chords.

All my life I was told

 

women must swallow sand 

unless we are sounding

a warning.



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Seema Yasmin is a poet, medical doctor, and journalist from England currently living in California, where she is a John S. Knight Fellow in Journalism at Stanford University. Yasmin’s poems appear in Breakwater Review, The Shallow Ends, Coal Hill Review, Diode, and others.